Listening Before installing the M10 in my system, I had been listening to my resident pair of KEF LS50s driven first by a pair of Lamm M1.2 Reference monoblocks, then by the Vandersteen M5-HPA monoblocks I had used with the Vandersteen…
I'd wanted to review Revel's high-value Performa F-30—see my May 2000 report—but the Studio was offered instead. By the time a pair of Studios had arrived, however, the F-30s were also on their way, and the Studios were put on the back… I wrote several issues back that my first high-end headphones were Koss Pro4AAs, which I bought in 1972 following a positive review in the British magazine Hi-Fi News. Although that review didn't mention that the Pro4AAs were relatively… My first encounter with the Acarian Alón IV was at the 1992 Las Vegas WCES. I was doing the show report dealing with speakers, and there was already enough advance buzz about the Alón IV that I put it on my "Speakers I Must Listen To" list… Evolution of a review I first heard a pair of NP 2.0s at the 2007 Consumer Electronics Show in Las Vegas, demonstrated to great effect with an Ayre Acoustics AX-7e integrated amp and a Cary CD306 player. You'd think I'd be used to Charlie Hansen by now. After all, I've been speaking to Ayre Acoustics' renaissance man for a decade, having first encountered him when I was trying to arrange the review of Ayre's 100Wpc V-3 power amplifier that… Of the four Emotiva speakers designed for two-channel use, I chose the smaller of the two floorstanding models, the X-Ref XRT 5.2, which, at the time of the review, cost $799/pair. It has been 20 years since I first became aware of the British company Data Conversion Systems, which manufactures audio products under the dCS brand. Rather than use off-the-shelf conversion chips, the groundbreaking dCS Elgar D/A…
But earlier this year, as I prepared to write my review of PS Audio's NuWave DSD DAC (published in the May 2016 issue), a perfect opportunity to revisit the line came about: I read, in the owner's manual for the PSA DAC, that "power… Ps audio preamp This was followed in July 2002 by my review of the Wilson Sophia ($11,700/pair). And now, in December 2013, I am writing about the Wilson Alexia, which costs a not-inconsiderable $48,500/pair. The hoary question of tubes vs transistors, once certain and clear, is made ambiguous by recent products from a few solid-state specialists, not the least being Ayre Acousticsthe company that endures in the wake of the passing of its… I remember reading about Monitor Audio speakers as I pored over British audio mags in the 1970s, before the economy was globalized. They were among the many worthy UK brands whose cachet was amplified by their unavailability in the US. I think that many readers would be grateful for a review of the M-One. I think it is a really nice machine: http://micromega.com/en/products/mone-range/ In the late 1980s, when I began reviewing high-end subwoofers, they were big and heavy, difficult to move or find space for in a room. Their controls were always on an inconveniently positioned rear panel, and there were no built-in…
But earlier this year, as I prepared to write my review of PS Audio's NuWave DSD DAC (published in the May 2016 issue), a perfect opportunity to revisit the line came about: I read, in the owner's manual for the PSA DAC, that "power… Ps audio preamp This was followed in July 2002 by my review of the Wilson Sophia ($11,700/pair). And now, in December 2013, I am writing about the Wilson Alexia, which costs a not-inconsiderable $48,500/pair. The hoary question of tubes vs transistors, once certain and clear, is made ambiguous by recent products from a few solid-state specialists, not the least being Ayre Acousticsthe company that endures in the wake of the passing of its… I remember reading about Monitor Audio speakers as I pored over British audio mags in the 1970s, before the economy was globalized. They were among the many worthy UK brands whose cachet was amplified by their unavailability in the US. I think that many readers would be grateful for a review of the M-One. I think it is a really nice machine: http://micromega.com/en/products/mone-range/ In the late 1980s, when I began reviewing high-end subwoofers, they were big and heavy, difficult to move or find space for in a room. Their controls were always on an inconveniently positioned rear panel, and there were no built-in…
For a complete understanding of the Quatro’s innovative technology and unique features we recommend that you review this entire manual before connecting or using your new speakers. The Treo CT delivers a surprising amount of the air, space and natural purity previously heard only in Vandersteen's top speaker models: the Quatro Wood CT, Model 5A Carbon and the Model Seven. Richard Vandersteen was in good form at the 20th-anniversary seminar held by retailer Advanced Audio on November 11, 2006. When asked about his priorities in loudspeaker design, he sat erect in the seat next to me and thundered, "I will not… Record playback could have been designed to go from the inside out instead of the other way around. With most pieces of music ending louder than they started, doesn't it make more sense to end the side at the widest circumference, longest… In one sense, Richard Vandersteen has been the victim of his own success. His Model 2 loudspeaker (footnote 1), introduced at the 1977 Consumer Electronics Show, put his company on the map but proved a hard product to improve on. There are three requirements: You must invent a very good loudspeaker that sells for between $1000 and $2000/pair. You have to make enough of them, over a long enough time, to achieve a certain level of brand recognition and market…
This experience launched his investigation into why reproduced sound is never mistaken for live music, a quest that may result in a radically new recording technique.
